30% discount / Starting at 5 performances
Choose Mozart / Haendel’s Messiah, The Royal Ballet of Night - Sun King entertainment, Strauss Salomé, Poulenc’s Voix humaine – Escaich’s Point d’orgue NEW CREATION & Bellini’s Sonnambula & Enjoy a 30% discount on your subscription's price.
Book the same number of seats for at least 4 performances in the same category, from the 1rst to the 4th.
! Complementary tickets are also available with a 5% discount.
‘Behold! I tell you a mystery...’
Mozart’s German-language version of Handel’s Messiah is famous, though seldom heard. The brilliant performance of the cast is combined for the first time with the art of Robert Wilson with a fascinating fusion of periods and styles on several levels. Handel’s Messiah aims — in the words of its com¬poser — at ‘sublimest sentiments’. It dwells on ulti¬mate concerns, but also on humanity’s concrete fears, troubles and hopes
The Royal Ballet of Night
A Court Ballet, how curious! Everyone knows of them, but whoever tried to revive one on stage? This is the challenge Sébastien Daucé set himself over the last four years.
After the reconstruction of the magnificent and incredibly varied music that met with great success in concert, here is Louis XIV’s beloved dance – the Sun King is central to this work. A panorama of French and Italian choreography in the middle of the 17th century, The Royal Ballet of Night is a masterpiece!
Francesca Lattuada brings her baroque universe, her extravagant bestiary, and her grotesque follies to the staging and choreography of this ballet which ends at dawn with the apparition of Louis XIV as the Sun…
Musical drama in one act based on Oscar Wilde's poem of the same title 1905
"The secret of love is greater than the secret of death" Salome
"How beautiful Princess Salome is tonight!". Oscar Wilde's French drama, arranged as opera text by the composer himself, was a stroke of genius of the fin de siècle, a scandal on one hand and an absolute hit on the other.
Salome demands the head of the prophet, John the Baptist, who has rejected her, from her lustful stepfather – and bound by an oath, he cannot deny her. And so the zealous admonisher dies, and with him the princess is undone – "Kill this woman!".
Krzysztof Warlikowski is convinced that Salome recounts many of the contradictions of the period of origin, that in this piece, however, much is also dismissed of that which at the time was still the future: "It's not just what's in the work of art itself that is important, whether it be Oscar Wilde or Richard Strauss, but rather the whole context, which Christianity and the history of the 20th century add to this piece."
The Théâtre des Champs-Elysées new commission
Composer, organist and improviser Thierry Escaich is a unique figure in contemporary music and one of the most important French composers of his generation. In the wake of Cocteau's words, those of Olivier Py, a man of the theatre with a modern way of writing, offers a human and humanistic vision of the couple's dialogue.
Patricia Petibon, Olivier Py and Jérémie Rhorer, the first architects of the 2013 Dialogues des Carmélites success, once again give contemporary resonance to Poulenc’s work.
Nadine Sierra stars as Amina opposite bel canto specialist Francesco Demuro as Elvino in Rollando Villazón’s intriguing staging of Bellini’s sweet love story, with its unforgettable sleepwalking aria for the heroine. Riccardo Frizza conducts the Chamber Parisian Orchestra to give an extraordinary chemistry to this masterpiece
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